Working in the Arts: Reece Prince Watson

This week for our ongoing Working in the Arts profile, we talk to Reece Prince Watson, freelance Communications & Brand Consultant.

So, where do you work?

 I’m a communications and brand consultant, working independently with a diverse roster of visionary brands and talents across the cultural, fashion, and luxury industries. After over a decade in senior roles at agencies like Purple and Black Frame, and as Head of Communications at Delfina Delettrez, I now partner with brands and cultural platforms to amplify their stories globally.

What is your job title?

Multidisciplinary Communications and Brand Consultant, but I wear many hats—strategist, storyteller, and connector. My work is about creating tailored campaigns that spark cultural conversations and build brand legacies.

What time did you wake up? What are your usual working hours?

I typically wake up around 6am. I like to start my day with a quick meditation, followed by green juice to balance out the inevitable coffee I’ll have later. My working hours vary depending on the projects, but I typically work from 9am to around 7pm, with evenings often spent networking or attending friends’ events.

What are your key tasks?

My key tasks revolve around shaping narratives and driving brand growth. This includes brand strategy development, media and talent relations, and crafting multi-platform campaigns. I connect the dots between brands and cultural influencers, curate events, and craft stories that resonate globally. At its core, my work is about amplifying voices in an ever-evolving cultural landscape.

What was your career path to this role?

My journey began in London nightlife, where I ran an influential club night, A Rebours, inspired by the Joris-Karl Huysmans novel. We collaborated with artists such as Cosey Fanni Tutti, Peter Doherty, The Gossip, and The Horrors, and Hedi Slimane captured the attendees. This experience naturally led me to a career in PR. After honing my skills at global agencies like Purple and Black Frame, where I had the privilege of working with visionary clients including Almine Rech, COMME des GARÇONS, Fondazione Prada, and Meadham Kirchhoff, as well as creatives like David Lynch, Miranda July, and Spike Jonze.

I then transitioned into in-house roles, where I shaped the global strategy for Delfina Delettrez and orchestrated campaigns for CIRCA. A major career highlight was leading communications for Yoko Ono’s IMAGINE PEACE, a global initiative that reached over 1 billion people and raised over £300,000 for UNICEF’s humanitarian efforts in just 20 days. It was a humbling reminder of culture’s power to drive social impact.

Each role has deepened my understanding of the cultural zeitgeist, ultimately leading me to where I am today—crafting narratives that resonate on a global scale.

What are the best and worst things about your job?

The best part of my job is the creativity. I get to collaborate with some of the most inspiring individuals in the world and help bring their stories to life. Seeing a campaign resonate globally—knowing you helped shape that narrative—is incredibly rewarding. The downside? Time zones. Coordinating global campaigns means working late or waking up at odd hours to connect with teams. But in the end, it’s worth it.

What careers advice would you give to your 18-year-old self with the benefit of hindsight?

I’d tell my 18-year-old self to trust the process. It’s easy to feel like you need everything figured out immediately, but the best things come with time and experience. I’d also say, ‘Don’t be afraid to take risks, even if they scare you. Each step outside your comfort zone is a step towards growth.’

 Have you had a secret job that is not on your CV?

I think we all have those intriguing chapters in our story that don’t quite make the official edit. Let’s just say, there are some opportunities best left between the lines—though they might have been the most fun of all!